20 Aug 2009

Just finished watching three seasons of The Mighty Boosh, when I happened upon this article. I figure this look would be perfect for Vince Noir, especially when considering his ever-shifting influences. Truly the last sentence of the quote rings clear in modern times.
Caricaturists found a perfect subject in the form of the masculine fashions of the late 1790s. Both young men wear tight-fitting square-cut coats with huge lapels, and knee-breeches decorated with loops of fabric. Their political sympathies are not necessarily clear. Although their culottes date from the ancien régime, their printed cravats are working-class in origin; and, while the man on the left wears his hair plaited at the back à la victime, the man on the right has a revolutionary cockade prominently pinned to his hat. Both have shaggy hair, the side locks falling like spaniel’s ears. The implications seems to be that fashion is more important than ideology. — Fashion in the French Revolution, Aileen Ribeiro

Just finished watching three seasons of The Mighty Boosh, when I happened upon this article. I figure this look would be perfect for Vince Noir, especially when considering his ever-shifting influences. Truly the last sentence of the quote rings clear in modern times.

Caricaturists found a perfect subject in the form of the masculine fashions of the late 1790s. Both young men wear tight-fitting square-cut coats with huge lapels, and knee-breeches decorated with loops of fabric. Their political sympathies are not necessarily clear. Although their culottes date from the ancien régime, their printed cravats are working-class in origin; and, while the man on the left wears his hair plaited at the back à la victime, the man on the right has a revolutionary cockade prominently pinned to his hat. Both have shaggy hair, the side locks falling like spaniel’s ears. The implications seems to be that fashion is more important than ideology. — Fashion in the French Revolution, Aileen Ribeiro